American literature - Literary and social criticism.
The iconoclastic literary criticism of Leslie Fiedler, as, for example, Love and Death in the American Novel (1960), was marked by its provocative application of Freudian ideas to American literature. In his later work he turned to popular culture as a source of revealing social and psychological patterns.
The New Criticism was a formalist movement in literary theory that dominated American literary criticism in the middle decades of the 20th century.
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The 20th century Writing from 1914 to 1945 Important movements in drama, poetry, fiction, and criticism took shape in the years before, during, and after World War I. The eventful period that followed the war left its imprint upon books of all kinds.
Public domain photograph of Hemingway in American Red Cross Ambulance, Italy 1918 Ernest Hemingway (1899-1961) A selective list of online literary criticism and analysis for the twentieth-century novelist and short-story writer Ernest Hemingway, favoring signed articles by recognized scholars and articles published in peer-reviewed sources.
New Criticism is an approach to literature made popular in the 20th century that evolved out of formalist criticism. New Criticism coined by John Crowe Ransom’s The New Criticism in 1941, came to be applied to theory and practice that was prominent in American literary criticism until late in the 1960s.
Twentieth-Century Literary Criticism through Gale Literature Criticism assembles critical responses to the works of 20th-century authors of all genres—novelists, poets, playwrights, journalists, philosophers, political leaders, scientists, mathematicians and other creative writers from every region of the world.
New Criticism was a formalist movement in literary theory that dominated American literary criticism in the middle decades of the 20th century. It emphasized close reading, particularly of poetry, to discover how a work of literature functioned as a self-contained, self-referential aesthetic object.
The 20 th century American literature is marked with self-reversal, in other words, writers created works in order to explore their inner world and themselves. Many authors turned to genre of fiction with helped them discuss and explain what was happening to the world and society in which they lived.
Focusing on literary-cultural production emerging from or responding to the twentieth century, broadly construed, Twentieth-Century Literature (TCL) offers essays, grounded in a variety of approaches, that interrogate and enrich the ways we understand the literary cultures of the times.This includes work considering how those cultures are bound up with the crucial intellectual, social.
Nineteenth-Century Literature Criticism assembles critical responses to the works of 19th-century authors of all sorts—novelists, poets, playwrights, journalists, philosophers, political leaders, scientists, mathematicians and other creative writers from every region of the world.
Presents literary criticism on the works of twentieth-century writers of all genres, nations, and cultures. Critical essays are selected from leading sources, including published journals, magazines, books, reviews, diaries, interviews, radio and television transcripts, pamphlets, and scholarly papers.
For a number of twentieth-century poets, violence was an inescapable reality that suffused their work. Critics have observed in the writings of Hart Crane the central imagery of destruction as it.
